Public Art
Working in a public space is a way of bringing art into everyday life, where it can become part of the city and the lives unfolding around it. From monumental sculptures to billboards and temporary interventions, these works leave the protected space of the gallery and enter into a more open relationship with their surroundings - and with the people who encounter them.
Girl From Buda
Girl From Buda, 2015
Bronze & steel, 650cm H
The Four Seasons Hotel Budapest, ‘Girl from Buda’ rises six meters above the cityscape, capturing a young girl mid-step as she crosses from Buda toward Pest. Is she returning from an evening in the bustling city, or moving with the confidence of a runway model? The sculpture invites reflection on movement, presence, and the rhythms of everyday life.
Throughout history, artists have explored the female form as an ideal of beauty, while monumental sculpture has often served political or symbolic agendas.
Here, the work takes a different approach: at the meeting point of tranquil Buda and cosmopolitan Pest, it celebrates the ordinary, yet defining, moments of youth. Girl from Buda stands as a contemporary emblem of life in Budapest, where past and present converge on the banks of the Danube.
You and Me
Bronze, steel, and electric motor, 2015
20m width, 12m high
The Metropolitan Tower Plaza, Warsaw
You and Me is a monumental kinetic sculpture located in the center of Warsaw, exploring the concept of time and the changing dynamics of couple relationships. The sculpture is
constructed from a six-meter-high vertical metal pole, which supports a twenty-meter-long horizontal beam, and together they form a swing. At one end of the horizontal beam is a male figure and at the other a female figure, and they face each other.
The slow movement of the swing, driven by a mechanism buried in the ground, raises and lowers the figures for eight hours on each side. Their changing position and height symbolize an interrelationship that moves between balance and violation, and the tension that the change in this balance creates. Amidst the fast pace of the city, “You and Me” offers a moment of reflection on the human connection between two as a constantly changing dynamic.
U & Me
U & Me, 2018
Graffiti ink on billboard, 500x500cm H
Lebachplatz Munich
The live drawing performance 'U & Me' uses a minimalist, single-line style to depict a faceless boy and girl-figures that feel both universal and anonymous. Without distinct features. they become symbols of foreignness and belonging, reflecting the experience of migrants in a new environment.
Their undefined nature allows them to merge with their surroundings, evoking themes of identity, adaptation, and community.
A Muslim, a Christian and a Jew, Let Go of Prejudice
The sculpture a Muslim, a Christian and a Jew, let go of Prejudice, located in Amsterdam's Red Light District, is made of steel and stands two meters tall.
Three almost identical figures stand one behind the other, while the negative spaces between them become part figures of their own. What is absent becomes part to the groups - a reminder that no community is whole or uniform, and that differences exists within every identity we give a name to.
A Muslim, a Christian, and a Jew, let go of prejudice
Steel, 200cm H,
Red-light districts, Amsterdam
Tel Aviv
Aqueduct
Aqueduct, 1991
Bronze, 200cm H,
Rothchild Boulevard, Tel Aviv
Installed at the heart of Rothschild Boulevard, Tel Aviv, Aqueduct features two small Roman-style aqueducts, deliberately broken. Once symbols of engineering triumph and the movement of water across vast distances, their rupture invites reflection on the fragility of human achievement and the consequences of overexploiting natural resources.
Placed within the city’s bustling center, the work bridges history and contemporary ecological awareness, turning a monument of ingenuity into a meditation on responsibility and care.
Family Affairs
Family Affairs, 2005
Bronze and steel, 6m H each figure,
Museum Tower, Tel Aviv
'Family Affairs' is a permanent installation of seven bronze sculptures in the Museum Tower Square in the heart of Tel Aviv. The sculptures, placed on five-meter-high metal beams, create small human scenes: a man, a woman and a young girl stand side by side on one side, while on the other side an elderly couple stands, slightly distant.
On the sidewalk, a male figure is seen looking at a female figure appearing in the building's lobby. The spatial arrangement of the figures creates a network of gazes, distance and closeness, and invites the viewer to complete in his imagination relationships, connections and encounters, both overt and covert.
Within its urban context, and near the courthouse, the work acts as a silent and ongoing reminder to the legal profession: behind the decisions, laws and procedures there always stands human fragility, interdependence and the delicate bond that connects people.
Girl From Gilman
This sculpture examines the tension between artistic autonomy and the commodification of beauty.
Positioned between presence and disappearance, the figure reflects the contemporary struggle for authenticity amid screens, filters, and the pressure to appear perfect, asking what remains when beauty becomes a product.
